Viral Sensation Shifrah Gets a Lifeline from Skypins Tours and Travel
Shifrah, the woman behind the widely popular Hoozambe viral phrase, has been thrown a lifeline after publicly sharing her struggles with financial hardships.
The stage was set at the National Unity Platform (NUP) headquarters in Makerere Kavule, where Bobi Wine, also the NUP President, held a press conference addressing a controversial matter—the allocation of 30 billion Ugandan shillings in the supplementary budget intended for artists.
Bobi Wine, a prominent figure in both politics and the music industry, did not mince words as he criticized the government's decision. He contended that the funds were being misused to influence musicians rather than being directed towards the implementation of crucial copyright laws. In a passionate plea, Bobi Wine expressed his concern that such actions were diminishing the status of artists, painting them as mere beggars. He suggested that the allocated funds could be more wisely utilized for public welfare projects, highlighting the potential construction of a significant hospital like Kirudu.
However, the repercussions of Bobi Wine's statements were swift and forceful. Eddy Kenzo, renowned artist and President of the Uganda National Musicians Federation (UNMF), fired back in a detailed response. Kenzo accused Bobi Wine of lacking a thorough research team and alleged that he had misrepresented the facts. According to Kenzo, the government was set to release 13 billion, not the 30 billion claimed by Bobi Wine, and he vehemently dismissed Bobi Wine's assertions as false.
Kenzo, taking a critical stance, brought attention to Bobi Wine's tenure in Parliament, asserting that during that time, he failed to address issues related to music and copyright law amendments. In a fervent defense of the artistic community, Kenzo asserted that artists were not beggars and expressed optimism that the copyright law would be amended in the coming month. He detailed plans to direct the funds towards artists' cooperatives, signaling a positive change for the industry.
Adding a personal dimension to his retort, Kenzo questioned the accountability of the funds received by NUP. He challenged Bobi Wine to disclose how the party utilized the substantial government support, wondering if any impactful projects or initiatives were initiated with these funds.
The clash between these two influential figures not only highlighted the challenges within Uganda's entertainment industry but also underscored the complex relationship between politics and the arts in the country. As the public eagerly awaited further developments, the exchange hinted at potential shifts in both the political and artistic landscapes in Uganda. The saga continued to captivate attention, leaving many to ponder the ramifications of this verbal sparring on the nation's cultural and political narratives.
